It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. It’s not a bad lens by any means, and it matches pretty well with older Alpha cameras, but we prefer the f/2.8 or faster primes. Lenses with both “Sony” and “Zeiss” in the title are co-branded, while lenses with “Batis” and “Loxia” are exclusively Zeiss. Below are 10 of the best FX... Jason Hummel is a leading adventure photographer and ski mountaineer based in Tacoma, Washington. Cons: Doesn’t bear the Sony G brand name and limited coverage for travel. All-around lenses are in the middle of the spectrum in terms of usability. The optics on this lens isn’t too shabby either, and it keeps the sharpness on all four corners. MSRP: $1,398 Type: Wide-Telephoto One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony's f/1.4 GM in terms of image quality. Type: Wide-normal/Portrait Its sleek design makes it well-suited for everyday shooting, while the fast f/1.8 maximum aperture benefits working in low-light conditions as well as offers increased control over depth of field for selective focus imagery. Many people considering this lens are on the fence between it and the 24-70mm GM above. Torres Del Paine Circuit: The Botched “Q” Trek, Hiking Hermannsdalstinden Summit in Moskenes Norway, How To Explore Machu Picchu via the Inca Jungle Trek, Trekking the Seven Ladders Canyon in Romania, A Day in Belgrade: A Hitchhiking Journey to the Balkan Gate, Exploring the Valle de la Luna in the Atacama Desert by Mountain Bike, Things To Do In Port Townsend | Washington’s Victorian Seaport, Picture Lake & Mount Shuksan A Photographer’s Dream Come True, Nusfjord | Exploring A Rustic Fishing Village in Lofoten, Norway, Bodie – Exploring California’s Most Famous Ghost Town. Sony’s A7 Series full-frame mirrorless cameras are an instant hit amongst travel photographers who need the quality imagery that full-frame DSLRs produce minus the bulk associated with it. Weight: 19.4 oz. For outdoor photographers using the Sony Alpha system, it’s a must-have lens. Welcome to our Darkroom! But 42mm on Sony’s APS-C cameras is more palatable, which is how many people end up using this lens.See the Sony 28mm f/2. More, the 55mm f/1.8 is considerably lighter than the 50mm f/1.4 (9.9 ounces vs. 27.4 ounces). But, it will cost you an additional $800, weighs you down more and will take over more space in your bag. The inte… They tend to be cheaper with the same features and optics. There are a healthy number of E-mount lenses that continues to grow each year, but none can be mounted on your Sony full-frame camera.Back to Our Top Sony FE Lens Picks   Back to Our FE Lens Comparison Table. We do like the additional reach and it’s a nice way to add a healthy amount of versatility at the telephoto end of the spectrum without breaking the bank. It’s ridiculously sharp all the way to the corners, reasonably fast at f/2.8, and built like a true pro lens. Simply put, this lens is stunning in terms of performance. As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. The “Do It All” Lens. Weight: 24 oz. We’ll start by saying that we were an early adopter of the Sony 16-35mm f/4. You might have some hesitation with using third-party lenses, but you owe it to yourself to check out the competition. If you pair it with teleconverters like the Sony 1.4x or 2.0x you can get even more reach. Cons: Limited coverage, heavy, and expensive. In some ways, we were hoping that the GM didn’t live up to expectations (wishful thinking) and therefore it would have been easy to stick with the f/4. See the Sony 16-35mm f/4. The 24-70 mm might be better in some aspects but the difference in pricing is just not worth it in my opinion. Filter thread: 49 mm The good news is that FE lenses are compatible on APS-C cameras. Regardless of whether you prefer Sony's more expensive native lenses or Sigma's cheaper third-party models, it's great to have more options. See the Sony 16-35mm f/2.8 GM. For travel, you might just enjoy this lens more for its light and very compact design even though it’s limited in its application due to it being a prime. I have been wondering which one to get and it was really overwhelming. Manufactured by esteemed optics maker, Carl Zeiss, the Sony 35mm f/2.8 Sonnar T FE is an outstanding performer even with its miniature size. It’s worth noting that because Sony’s latest full-frame cameras have built-in image stabilization, camera shake will be less prevalent than with older models. You would also need to fork up for bigger filters as the thread mount is at 82  mm. SELP28135G (14 14) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. And although the 16-35mm f/2.8 below may be the most versatile wide-angle option for FE, the Zeiss Batis 18mm f/2.8 is the premier prime. Type: Wide-Telephoto In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. The Sony  16-35 mm f/2.8 is the best super wide-angle zoom in existence. for Sony full-frame mirrorless camera users Tamron’s E-mount lens series is designed to maximize the potential of full-frame mirrorless cameras and provides magnificent image quality without compromise despite being very fast and very compact. If image quality is your top priority in a telephoto lens, it’s a clear choice: go with the GM. Sigma uses a DC designation for its APS-C lenses, and DG for full-frame models. I’m definitely waiting a bit more and getting those. Using adapters with full Auto capabilities also add various line up from other camera systems into the mix. I earn a small commission if you use my links to purchase a product at no extra cost to you. The autofocus is fast and very quiet, allowing you to capture scenes in silence and obscurity. But the 24-70mm f/2.8 GM more than makes up for it with image quality, which is the reason it is the premier FE-mount lens.See the Sony 24-70mm f/2.8 GM. Pro Tip: Check out What’s In My Camera Bag, if you’re interested in my current camera gear choices! Sony Distagon T* FE 35 mm f/1.4 ZA. Both lenses are far superior to the disappointing 50mm f/1.8, which hits an attractive price point but is just not up to the standards of Sony’s full-frame cameras. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. The Sony 24-240mm f/3.5-6.3 does cover a healthy range of focal lengths from wide angle to telephoto—it’s the only lens on this list that does so. All in all, we get the draw of the 24-70mm focal length, which makes for a true workhorse lens, but the mediocre optics here give us pause. However, the f/1.4 is more than three times the price of the f/1.8 and more than double the weight, and it may even be a little softer to boot. Browse Sigma lenses including over 45 camera lenses available for most major mounts including Sigma, Canon, Nikon, Sony, Pentax and Micro Four Thirds Systems. We break down the leading DSLRs on the market from... Fujifilm’s mirrorless camera systems have come on strong, with models like the X-T2 and X-Pro2 garnering serious followings among photography enthusiasts... Digital Camera Buyer's Guides and Reviews. You can also adapt a good legacy 50mm for under $50. More product information. What you’re gaining in weight savings and convenience you are going to sacrifice some quality. This lens is one of the cheapest and sharpest Sony E Mount Lenses ever made. You definitely can have a positive experience with adapters, but it is a potential headache that you won’t have when using native FE lenses. Such high-quality glass also comes with a high price tag associated with it. Pros: Huge coverage, an all-in-one lens with a constant f/4 aperture that is sharp at all corners What are the downsides of going this route? This lens will allow you to travel light and shave off lots of weight from having to carry multiple lenses. Stay like a local! 28mm is narrower than we prefer for big landscape shots, yet a little wide for travel photography and portraiture. The first is versatility: it’s only worth spending the roughly $1,700 if you plan on using it frequently (and know how to, which is another challenge). If you’re in a big crowded city, this lens knows no bounds and just fun to shoot with. The good news is that the Sony 70-200mm f/4 is no slouch. So, with that in mind, let’s get to it. This manual focus cine-style lens for full-frame Sony E-Mount cameras weighs in at around a pound and covers full-frame sensors with a fast f/1.2 maximum aperture for shallow depth of field. Sony tried with the Sony 28-70 mm f/2.5-5.6 and the slower Sony 24-70 mm f/4, but both aren’t up to snuff with the any of Canon or Nikon’s offerings. There may be some G Master fatigue by the end of this article, but this premium lens series is just that good. Enter the 100-400mm f/4.5-5.6, which is another premium lens in Sony’s heralded G Master lineup. The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. However, you would have to be willing to fork an extra $800 or so and put some extra weight in your luggage. At around $450, this is the cheapest FE lens on this list by quite a bit. Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. Now that you know which lens to get check out my guide on the Best Full Frame Travel Cameras or the Best Travel Cameras. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Weight: 18.3 oz. Choosing lenses and focal lengths for landscape photography has a lot of layers, and it’s a topic I wish I researched more before jumping in. Finally, the lens does not take screw-on filters due to its bulbous shape. Cons: The bulk and coverage may be only ideal for specific occasions. Pros: Huge coverage for travel and can be your one and only lens You can't enjoy photos that you don't take. Sony’s versatile telephoto lens … Type: Wide-Telephoto In terms of options, the biggest point of differentiation between the Loxia and Batis series is that the former is manual focus only. For our top “normal” lens for Sony full frame, it was a close call between the 55mm f/1.8 and the 50mm f/1.4 below. Pros: An inexpensive lens with superior optics, fast, good wide-angle and regular coverage Generally, adapters are known for slowing down autofocus, which is a key component of any lens. Weight: 23.4 oz. For Sony's full-frame mirrorless cameras, Zeiss dominates the landscape and calling that "third-party" is stretching it a bit (the relationship between Sony and Zeiss is quite close). Using Canon? We previously had the 70-200mm f/4 ranked higher due to availability issues with the f/2.8 GM, but that has been resolved and it’s now readily in stock online and in stores. You always can walk closer to your subject to mimic a 35mm or 50mm lens, but 28mm certainly wouldn’t be our first choice. Tamron 17-28mm f/2.8 Di III RXD Lens. Unfortunately, the image quality of this lens leaves us wanting. The mirrorless design of the A7 cameras allows a short flange distance between the sensor and the rear lens element. However, Sigma recently released Sony FE mount versions of many of their "Art" lenses (our favorite is the 85mm f/1.4 Art) and plan to continue rolling more out. In addition, Sony recently released the 200-600mm f/5.6-6.3, along with 400mm f/2.8 and 600mm f/4 primes. If Checked, The Sony FE 85mm f/1.8 Full Frame E-Mount Lens will also be Added To the Cart: Sony Alpha 5100 Mirrorless Camera (Body Only) Price: $449.99 Add to Selection : Sony Alpha 5100 Mirrorless Camera with 16-50mm Lens. For professional sports and action photographers, it represents a viable telephoto zoom option for Sony mirrorless, and will be depended upon to perform during big events from the Super Bowl to the Olympic Games. As of fall of 2020, there are ten GM lenses to choose from: the 16-35mm f/2.8 GM, 24mm f/1.4 GM, 24-70mm f/2.8 GM, 85mm f/1.4 GM, 100mm f/2.8 GM, 135mm f/2.8, 70-200mm f/2.8 GM, and 100-400mm f/4.5-5.6 GM, 400mm f/2.8 GM, and 600mm f/4 GM. The weight of the Sigma 85mm f/1.4 is by far its biggest downside. If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. One notable issue we have with the Sony 28mm f/2 is the focal length. I’ve had a chance to see the Sony FE 24-105 mm f/4 in action and I was blown away! Here we will cover the best travel lenses for the Sony full-frame mirrorless cameras. We personally find that a quality 16-35mm goes wide enough for most uses, but there certainly is demand for a true ultra wide and Sony answered the call. The issues with the Sony 50mm f/1.4 are that it’s super heavy for a prime and quite expensive. I use. Typically, the more expensive the lens is, the higher quality the build will be, which often translates into it being more weather resistant. The only limiting factor it had when it was released in 2013 was the selection of lenses it needed to compete with already established brands such as Canon and Nikon. As far as image quality goes, the Zeiss Loxia 21mm will not disappoint. You will have to judge for yourself if the slight advantage in sharpness is worth the weight and extra costs. Accordingly, below is detailed information... Digital SLR cameras are among the best of the best: they have the largest sensors, the most megapixels, and the highest quality selection of lenses. See the Sony 85mm f/1.8. You can expect pro-grade image quality including excellent sharpness, minimal distortion, and lifelike bokeh. For wide-angle specialists who love pushing the limits, this is your lens. For a very low price, the Tamron 17 … This lens is super sharp and will save you a ton compared to the Sony equivalent. Category: Wide angleWeight: 13.9 oz.What we like: Extremely sharp all the way to the corners.What we don’t: Manual focus isn’t for everyone. What are the downsides of the Sony 12-24mm f/4? Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). MSRP: $1,349 Portrait photographers have a number of intriguing options at the 85mm focal length, but our favorite of the bunch is the Sony 85mm f/1.8. 4 AF) specifically designed for Sony … The lens has a quiet and high-speed internal motor for the focusing system and has a manual aperture ring made for photographers who shoot videos. … While offering the same high-performance optical design as other lenses in the Art line, the new E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. 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Additionally, both of these lenses offer image stabilization, which proves to be incredibly useful when utilizing the higher ends of these focal lengths. Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. What we don’t: Low light performance and softness toward the edges. Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. Cons: Some distortions and slower than the optically superior f/2.8 version. Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. From there the sky is the limit. Weight: 27.6 oz. The lens is also built for the rigors of travel with a moisture-resistant fluorine coating to protect against dust, dirt, smearing, and weather sealed. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. Polarizer Filter – Why You Need One and Which One to Get, How to Choose the Best Full Frame Camera in 2020, Do you want to know how to make travel (especially long-term) interesting? The majority of my top-selling stock photos are shot with the 24-240 mm, and it’s the lens I pick up most to compose a shot before switching to a different lens (if I do). This is of the best all-around Sony E Mount Lenses, and it will make a perfect one and only lens in your bag if you want to go ultralight travel with decent coverage. While the Tamron 28-75 mm f/2.8 is explicitly made for Sony E mount cameras, it can fit cropped APS-C cameras with a 42-112.5 mm equivalent focal length range. You will have a hard time picking not picking this lens over the heavier but much faster Sony Distagon T* FE 35mm lens above over this one. For around $550, you get excellent sharpness (even when wide open), fast and accurate autofocus, premium build quality, and a reasonable weight of 13.1 ounces. Pros: Great wide-angle coverage and reasonably lightweight of all taxes) More product information. It’s tough to come up with something bad to say about the Sony Distagon T* FE 35 mm f/1.4 ZA. The Tamron is one of the best third-party Sony E Mount Lenses in production. But with their 24-105mm f/4, Sony has a winner. New Delhi: Sony India today announced an impressive addition to their imaging line-up, the Alpha 7C full-frame camera (model ILCE-7C), the FE 28-60mm F4-5.6 (model SEL2860) zoom lens. The truth is that you can’t go wrong with either, but we prefer the smaller size and lower price of the f/1.8.See the Sony 55mm f/1.8. Type: Super Wide-Telephoto You can use both kinds of lenses on your crop sensor, but never use a lens rated for a crop sensor on a full frame camera! Sony FE 12-24mm f/4 G ($1,698): A uniquely designed and widest ultra wide-angle zoom lens! It’s extremely sharp all the way to the corners (Zeiss primes are known for their sharpness), has little distortion, incredible color rendition, and fast autofocus. Pros: A flagship super-wide-angle lens with superior optics Then Sony E Mount Lenses started trickling in, albeit slowly at first. Furthermore, It’s designed so that the aspherical elements ensure minimum aberrations. Things like weight, price (especially if you’re a budget traveler), and how convenient it is to use the lens should be taken into greater account. The Rokinon 35mm F1. In terms of numbers, we generally make the professional cutoff at f/2.8. If you find yourself shooting at a specific focal point than any other then perhaps a prime is ideal since you get the added benefit of a few stops in speed and likely much more superior optics. That’s not the fault of the manufacturer or the engineers that designed the lens; it’s just the laws of physics that optics such as these can’t break. The f/4 version described above is a top-notch lens in its own right, creates better sunstars, and saves you about $900 in cost and nearly 6 ounces in weight. A large number of FE-mount and E-mount lenses are co-branded (called “Sony/Zeiss”). Travel Photo – Haystacks In Romania. Sigma’s long-awaited Art lenses with Sony FE mounts finally hit the market, and the results have been strong. The lens is sharp and considerably cheaper than its brand name counterpart. But this lens does have its shortcomings. RV Camping Essentials – With Printable Checklist! This means you can mount your Sony or Nikon crop lenses onto Sony or Nikon full-frame bodies. Professionals and enthusiasts love the faster f/1.4 maximum aperture of the latter, but the 55mm f/1.8 offers great sharpness and is cheaper. MSRP: $249 Category: TelephotoWeight: 30.1 oz.What we like: A relatively inexpensive telephoto option for FE. The no-frills and functional use of this lens make it a favorite and top choice for travel photography. Where To Buy. A Mount E Mount. In short, aperture is the size of the lens opening through which light passes, and it impacts just about everything related to image quality: bokeh, depth of field, and sharpness. All in all, we like the Sony 70-300mm best for APS-C cameras (the focal length equivalent is a whopping 105-450mm), but less so for full frame.See the Sony 70-300mm f/4.5-5.6. Fantastic contrast and resolution are sustained throughout all the image corners and at all apertures. You'll notice more distortion and vignetting from the 24-105mm, which can be corrected fairly easily in post processing. As part of Sony’s G Master series, the 16-35 mm f/2.8 is the top of its class with fast and quiet autofocus and weather sealing. And while we want to like this lens, it just doesn’t quite do it from an image quality perspective. Weight: 4.2 oz. For those who need even more reach, Sony does offer two teleconverters, a 1.4x and 2.0x, both of which are compatible with this lens on the a9 and a7R IV. This lens fills the missing gap that professional sports and action photographers have been clamoring for. Type: Prime Wide-Angle. Enter Sigma's Art line, which launched with Sony mounts and comes to the plate in a big way with its 35mm f/1.4. The answer is that both are fine choices, but the f/4 is the more practical option for most people and uses. In addition, the Sigma isn't completely weather sealed, although it does feature a surface treatment and rubber sealing at the mount connection point, instilling a bit more confidence for those venturing into tough conditions.See the Sigma 85mm f/1.4 Art. Compared to Canon's EF-mount lenses or Nikon's F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). Your email address will not be published. Full Disclosure: I am part of the Amazon and B&H affiliate program. Reports on this topic are mixed, however, and the cost savings is significant enough that the value and image quality may outweigh any autofocus concerns. Sony FE 85mm f/1.4 GM. This article just added to my photography knowledge. However, from an optical standpoint, this lens just doesn’t stack up. Category: Travel/portraitWeight: 27.4 oz.What we like: Better low light performance than the 55mm f/1.8.What we don’t: Heavy for a prime. Based on extensive research, we felt it was the best 16-35mm f/4 on the market including those from heavy hitters like Canon and Nikon. It offers consistent performance across its constant f/2.8 aperture. There are more than 50 prime lenses for E-mount full frame. You'll get more hunting than with Sony's native lenses and the Sigma can have a hard time locking in, which can be quite frustrating when shooting moving subjects. SELP28135G (9 9) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. It’s extremely sharp all the way to the corners, excellent in low light for a wide-angle zoom, and creates crisp, life-like images that are hard to replicate outside of the GM family. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. For those who want a little more reassurance, we recommend keeping your camera covered by one of the many protective covers available. WHAT WOULD YOU LIKE TO SEE NEXT IN LINE UP OF SONY E MOUNT LENSES? The Alpha 7C is the world’s smallest and lightest[1] full-frame … From Sony, the 85mm f/1.4 GM is another enticing option—we absolutely love the GM line and the image quality that it produces. Weight: 49.3 oz It’s also a behemoth, but if you have a spare room in your compartment, it’s a worthy addition to your arsenal. Category: Travel/portraitWeight: 23.4 oz.What we like: A do-everything lens at a good price. Thank you! And optical performance from the f/4 version is great overall: the lens is sharp, has reasonable levels of distortion, creates excellent sunstars, and boasts a weather-sealed build for protection from the elements. The mirrorless revolution is in full swing. All things considered, it may be the best 24-70mm f/2.8 on the market from any brand. It was big news when Sony released the 16-35mm f/2.8 GM above, but they coupled that with the 12-24mm f/4. How much of a sacrifice? BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Sony FE 70-200mm f/4 G OSS Lens. Filter thread: 72 mm If you already own Canon, Nikon, or third-party lenses, you can buy a separate adapter for your Sony mirrorless camera. In addition, Zeiss has created another bunch of its own lenses for Sony FE-mount cameras (“Batis” and “Loxia”). 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At this focal length, it's a dream pairing for the a7R IV. Interestingly, Sony mentioned in its GM press release that these lenses, “will inspire and ‘wow’ photographers and videographers for years to come.” People in the industry report that Sony is working on an 80-megapixel camera next that shoots 6K video, and that GM lenses have been tested on and were built to match that powerful of an image sensor. The Tamron 28-75 mm f/2.8 is no different here compared to the 24-70 mm Sony. What started as one camera article has expanded into a burgeoning section of information covering everything from inexpensive point-and-shoots to full-frame... Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right lenses can be challenging. Filter thread: 49 mm ), the larger the opening and the more light can enter. For around $800, you can throw it on any Alpha full-frame camera and use it as your only lens. Filter thread: 72 mm They’ve been in business for many years, and it’s the testament to the fact that they give Brand Name optics like Sony a run for their money. Filter thread: 82 mm You’ll be torn between this and the Sony 24-70 mm below or the Sony 24-240 mm above. E-mount full-frame prime lenses for the Sony Alpha 7 series. There is a lot to like about the 28mm f/2 from Sony, and most notably the price. Oh thank you! And given that this was the first wide-angle zoom for Sony FE, a number of professionals readily adopted this lens during the wait for the inevitable GM version. The maximum aperture of the lens is f/3.5 when fully zoomed out and stops down to f/5.6 when zoomed in at its tele end. Sony got it covered with its growing selection of super-wide zooms, standard and telephoto zoom, and quality prime Zeiss lenses. Cons: Not the sharpest lens. For even more reach, see the 100-400mm below (and yes, it’s a GM).See the Sony 70-200mm f/2.8 GM. Pros: Very sharp, very fast, very light, and very cheap It’s also about $1000 cheaper. In addition, the weight of 15.2 ounces is quite respectable for a zoom lens of this type, which is less than half the f/2.8 GM. Nikon lenses won't work on Sony and A-Mount lenses wont work on E-Mount cameras without adapters (that often slow performance). Third parties also sell lenses for the Sony system. If you’re going to buy a wide-angle prime for Sony mirrorless, Zeiss is the way to go. Editor’s Rating: 4.4/5. Sony Alpha Full-Frame A-Mount Lens Adapter. There are some distortions at certain focal points, and the auto-focus isn’t the fastest. 20 FREE High Resolution Travel and Landscape Photos! It will open up more framing and composition options for you. Breb, Maramures. Not only Zeiss and Sony, but also numerous third-party manufacturers have staked their claim in this segment. The Sony FE 70-200mm f/4 G OSS is designed for the full-frame Sony e-mount cameras. Lenses with this maximum aperture or faster are solid low light performers and can achieve the creamy bokeh that professionals love (most of Sony’s current GM zoom lenses are f/2.8 or faster, for example). E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; FE PZ 28-135mm F4 G OSS.